Tuesday, 25 July 2017

Unlimited Breakfast Ch. 1 V.2

This city is caught in a fragile sleep, a place of vivid dreams and drool stained pillows. Its streets are like coral canyons in a warm sea heaving and flowing with people. The tropical heat forces dark green weeds and lush grasses to burst through the slabs of brick and concrete, filtering up like insurgents through colonising slabs of brick and concrete. Fruit trees, wild and untamed, stand along the long and straight roads that lead into the city from the rest of the world, opposing old colonial lamposts that flake black paint along the empty paths. The city itself is surrounded by a vast orange scrubland, and the fruit of the trees droops down unpicked into the short yellow grass by the side of the road, melting and deforming under the humid sun like the skin and bones on a corpse left to rot. 
Inhabitants drift down the footworn streets with dead eyes, trailing vortices of musty smells that mix in the wind. Living here means understanding existence and death as less a mere certainty giving room for wilful ignorance, but just a long way off. Life becomes nothing more than a process gone grey along the way of lain down tarmac, the soles of your feet grinding slowly as you shuffle out of your house, along that relentless pavement conveyer belt, until you reach the end of the road, the self checkout, life support beeping again and again, over and over, tolling like a bell for all your worthy achievements are worth until death herself packs you and carries you away in a big black plastic sack for life.
But then there are those with wild eyes and swaying step who cross the road, down off the pavement, into dirty alleys on the outskirts of town, where each footfall lands almost silent, a dull tap that reverberates around on towering buildings that creep up into the sky and hem in any wanderer or traveller. Looking up at their dusty bricks a one can see spiral of lush tendrils, pockmarked here and there with delicate star shaped flowers. Dark purple petals and waxy green leaves curl towards the sun. And down on the ground, as you walk, very occasionally a glint of one the many lords of the city catches your eye as a random copper coins. A coin first spent so long ago, spent for you, indebting you to this city even before you’re dragged out screaming into this unforgiving world. Born into a life of debt but nevertheless feeling the dry air on your wet skin lighting up your nerves like a blanket of ice, eyes wide and bloodshot, your gumless screams stifled by scratchy blankets covering your new nude body, trailing umbilical all over the shop until the doctor finally comes to decide if you’re an innie or an outie, your bellybutton sealed like your fate.
Most people in this city are poor, living on these outskirts. Here the streets have no signs, each twist and turn clearly an abesentee design- a secondary effect of the decision to build homes so desperately needed by a burgeoning population. The blocks separated by dirt covered paths cross over each other like tree roots exposed by the rain. Together the children of this shanty play, chasing eachother, dry smears of dirt settling into the crags of their palms as they laugh and scrabble like feral little magpies for any shiny flake by the side of the copper coloured houses. Each house is topped by its own patchwork of corrugated rust, and the walls slant into the ground, at different angles, sinking back into the earth. Within each thin home lives a large family, so close to the next that they can hear the life next door. Screams of anguish, moans of pleasure, laughter, arguments and everyday conversations seeping through the cracks in plasterboard just as privacy relents to mold.  And as the sun goes down you can catch glimpses of soft, wind dried limbs through stained linen blinds that gently waver in the breeze.  
The roots lead to central area of the city where tall white and blue glass skyscrapers hang. At a certain point the curved dirt paths give way to planned streets, each polished building casting a shadow and cooling the pavement. Every cornerstone and angle looks to be so heavily designed and ordered by architechs looking down from cold, dry, air conditioned offices. Black cars careen down wide silver highways lined with trees trimmed so perfectly by unseen hands. On weekends the city is paralysed, and warm winds flow through the square streets, the only sounds around being the gentle clatter of some thin plastic wrapping dancing down the alleys, before it disappears from view. The dull roar of the motorway that feeds the centre of the city is hushed for now. And as the work week begins the air begins to fill with a chorus of intermittent horns in harmony, distant sirens grow to scream on top of cars that careen like speeding violins towards their targets and out of earshot. And people in black suits appear out of nowhere to walk purposefully, their heeled tapping shoes crackling together and their heads bobbing up and down as they flood into their buildings hurriedly, to sit at their desks, plugging in letters transformed into demands and sentiments sent hurtling out the aeriels wobbling at the top of the buildings to other headquarters around the world, codified, encrypted, reaching satellites that perform handshakes with the reams of data beaming between computers, beaming down to be transformed back into light that appear again reflected, on the dead eyes of the ones who read it. 



#############################################################
to be married with ---
###################

________________________________________________________________________--

And it just so happened on that day I woke up from my half dream exactly at midday. I swore. I was late for the meeting with Joanna. I fell out of bed onto the chocolate brown rug with wormlike fibres by my bed and briefly considered going back to sleep. My room was small, a rental subsidized by the police sector I worked for. It had beige paint peeling off the walls revealing the old vanilla wallpaper, perhaps there was an infinite sequence of beiges underneath that one, but i would know until i finally put a sledgehammer through it. 

________________________________________________________________

Detective Chief Inspector McFlanaghan. Chaos and I play a fickle game, we make our moves one after the other, never winning, both playing, forever. I was born and raised in the city by my father, my mother died before I was born. Her name was Lela, the softness of her name hung tenderly in my memory, I only knew her from my father’s pictures. His name was Benedict. Like the eggs. And we had a saying in our tiny two-man family: don’t keep all your eggs in one basket. He must have come up with it, of course. We lived by that phrase. But then my father died in an omelet fire. The coroner decided that the cause of death was house fire tinged with a lust for breakfast. But that was my dad through and through. He loved breakfast. And he loved making it. He always made a habit of encouraging me to go out and make my own. His words still ring in my ears, tempered words that shone through the grimace borne of the gentle searing splatter of bacon grease onto his hairy arms. “Make your own damn breakfast!” he used to say, whilst waving his shiny, melted plastic spatula up and down like a wizard’s wand, shoulders twitching minutely at every tiny jumping drop of grease burning through his coarse but comforting arm hair. And I took those words to heart. Because it turns out that breakfast isn't just the most important meal of the day, breakfast is life. He used to make an omelet every single morning for fourty-four years since he could reach the hob. He taught me to twist and push until you hear the cracking fires emerge. Twist and push and tear the knob right off to keep the flames firing the frying pan of destiny. And then crack your eggs. There were times when it seemed like he was telling me old news- ideas I already knew- but as soon as he was gone it was because I never knew his story. I never realized the struggle that gave weight behind his words. I never realized why he was telling me these things. He was full of wisdom, laughter, and breakfast.  But I never cooked my own. I could never find it within the deep shelves of my heart. And now im the one with egg on my face; some kind of demented yolk I can never wipe off.
So I had to find my own purpose in life. It just so happened my purpose found me first. It was chaos itself. I found my way to see through the charred, steaming hulk of our little burnt eggbasket. When our dream burnt down, I caught a glimpse into the writhing underworld of hatred. And so I remembered the ethos my father gave me before his pancakes were flipped. It was for me an ethos unexplored, where the night could set it ablaze at any moment. And so I packed my bags full of determination, hate, fear, eggs, turned them into weapons, against those who ride on the coattails of chaos. Against those who set the night ablaze. And all in all, in the deepest, darkest nights of your life Fate rides a flaming chariot through the sky, careening his reined charges through the snow that drifts so calmly in the air, and he enters your quiet life like a master cat-burglar. He delicately lays down the law of the universe right next to your sleeping face until you bolt upright and realize you’re right in the shit. I always hated Christmas. And so I am but a ghost in the footsteps of dusk, trying finding my path. I often find myself looking up, trying to see past the sodium orange lamplight that eats into my soul like moths to a stained rug. To me the sky is forever a colander; the stars pitted gaps in a bowl of black, the night seeps in.
Looking back over my shoulder at the never ending line of streetlamps, my gloved hands flipped up the collar. I reached into its folds, my quarry the crumpled pack of French blues. I pulled one out, lit it, and inhaled deeply. I shuddered. A cloud of smoke fell up past my head. And it was a cold evening, no doubt Emerson, my partner, would be feeling it too, back in our wheels for this whole operation. Necessity had found us an old ice cream van. We called her Laquisha. She ran like a beaut, and we’d modified her original ice cream truck siren to be piercingly loud. We careened around in her, and as long as she continued to pump out 99’s, we would continue to pump out .44s, right out of her ample side window at whatever bastard needed one. One after another, in whatever form, we served righteous brainfreeze to this tangled cerebral mess of a town. I was glad Emerson was keeping her company. I had asked him to save me a couple of flakes to stick into a mighty vanilla swirl for when I got back. I smiled to myself as I walked down this dustily lit road. I paused. Why was I here?
I carried on smoking, walking, thinking through the cold, moodily and brooding as was cliche. I flicked my cigarette down a side alley, watching its orange arc fly through the air until it stopped, sizzling, in small pool of blood on the floor. I jolted and swore. Fear fluttered through my body like bacon in an iron skillet as I thought through my next move. I remembered that it was a Tuesday. Of course. And I began to follow the trail along the course concrete until I laid eyes on a body. It had fallen clumsily. I swore again and closed my eyes. Poor girl. As I opened them I was numb. She had a stamp on her forehead, chaotic milky eyes looking up into the night sky. Her limbs were strewn about, her left porcelain hand clutched an open packed of custard creams, she was missing a shoe. She was clearly dressed for a night out, long flowing black dress, torn in places, and a black velvet choker cruelly highlighting the damage sustained to her neck and face. And I noticed that the packet of biscuits was left full. Not a single one taken. Her lipstick, deep red lipstick, was smudged across her cheek like scar. And she was punctuated by an obscene smattering of beige crumbs, they were scattered like fallen stardust across the flowing black fabric that covered her empty body, a delicate, obscene galaxy all the way down to her midriff. She had light brown hair, curly, but lacking volume and lustre, as if unconditioned for weeks. The light failed to bounce off, any bounce long since gone. And as I stared with dull silence echoing in my ears I noticed the finer details. Suddenly, I heard the sharp slap of feet rushing up behind me. I snapped round, drawing my '44 as fast as i could. The footsteps stopped. I squinted past my dim shadow into the fog of the city night, my barrel hovering, pointed unknowingly in the briskness.
"…Show yourself!"
And from the deep dark at the end of the alleyway emerged a small thin man in an apron smeared with fingerstreaks of chocolate. He wore a tall white chef’s hat with a heavily mustached man giving both thumbs up, his eyes screaming happiness. He took a few steps forward, finishing the end of a waffle cone.
"It's only me, boss!" he called as crumbs spewed from his mouth in no apparent direction.
I paused, sighed, holstered my piece and zipped up my fly.
"Goddammit Emerson. You really fucking scared me there."
His eyes were always lit with the sparkle of a man who lives life for the sheer hell of it. That’s why he was with me. I followed hell, he followed suit, depending on the formality of the occasion. He was the yin to my yang, the bread to my butter side down. And there was undoubtedly a fire in his warm soul that never went out. But as those green orbs looked past me, his smile fell, the sparkle faltered. A single drop of vanilla ice cream fell from his bottom lip and hit the ground with a wet tap.
“Its… her” he said.
“Yes.” I sighed. “I know that.” We both turned around. Emerson had to turn around again so we were looking in the same direction. I understood his shock. No amount of death is ever right after a waffle cone. But the time for ice cream had been and come and passed away.



Wednesday, 15 March 2017

What's actually in a cup of tea.

Today was one of 'those days'. I think today was a peak Day. So many irritating things that could have been avoided, happened, and it totally sucked. Each event gave a little bit of my happiness away to self hatred. And I started to explain each event through a very personal explanation, not that "shit happens", but that it was my fault. That part of the problem was that Today I found myself floating around in space to such an extent that I probably graduated from space college, from space cadet to fully qualified astronaut. It was an off day, with shit things happening and my shadow using them to remind me that I was 'off.' And so as I sat looking at my spilt tea slowly spreading across the floor, and I was at such a loss. It was the last thing on top of a shit sequence of events in that day, not just because I wasn't paying attention because I didn't have the headspace, but also the pressure, and tiredness, and unhappiness. And I was really looking forward to that tea. I had a whole packet of Nice biscuits prepped and ready for maximum dippage. But I started thinking, maybe I'm actually cursed? Maybe witchcraft exists? Maybe it's the universe? Maybe there is a chaos theory and I am part of it? Or maybe it's just my spatial awareness? And my depth perception? and my short term memory? Maybe all of them together work at just the right level to create a halo of 'inconvenient' affect around me? Maybe there's an  increase in probability of formally static objects falling over around me that could be statistically significant when compared to other people? (which would be hilarious) Maybe I only actively experience my life when things actually start to go wrong? Maybe I only pay attention when things could go wrong? Maybe I'm prone to anxiety because it serves a social function and adaptation to my lack of awareness?.. Maybe social anxiety is a learnt strategy because of a need to be aware in social situations? Maybe I'll never fit in? It took me a while of complete despair and over analysis to realise, like the click of a kettle reaching its boil, that I could just make another cup of tea and stop fucking thinking so much; stop taking myself so seriously; that I can learn from each mistake and not feel so doomed to failure. And when I did I felt so fucking proud. Im happy I made that decision. It felt like restoring balance, like breathing out, like following a flow downstream instead of up it. It's the first time in a while I've been able to without obsessing over my thoughts. And that second cup was fucking excellent. And I remembered it when I ripped the wing mirror off my car on a pillar, later that night pulling out of a parking bay. That's progress, baby. 

Tuesday, 21 February 2017

The Best Reference





The solo in Wearing the Inside Out at 5:52 directly quotes the solo of Comfortably Numb at 5:30 (in this video above).

This is a hugely important and meaningful thing for Gilmour to do in this particular song and yet only lasts a couple of seconds.

Wearing the Inside Out is a song written by Rick Wright, and his first song that he sings solo, let alone writes lyrics for, since Time on DSOTM. It is absolutely his most personal song, showing a very seldom seen side to the quietest person in Pink Floyd. In this song he is speaking his inside emotions out; speaking of the past and the fact that by doing so he is regaining a voice he has lost. Because of this, the feelings in the song are intensely vulnerable and the song itself has a very tentative and fragile mood to it. As well as that, because the song is about the past, and only just coming out of silence after so long, it has a bitterness from anger, sadness, and almost self-righteousness to it. You aren’t quite sure if the song is about Rick, or it is about Roger Waters- who pushed him towards his silence; who the bitterness in the song blames for his silence.

Look at him now
He's paler somehow
But he's coming round
He's starting to choke
It's been so long since he spoke
Well he can have the words right from my mouth

The whole of the Wall is about Water’s anger; the bricks are his reasons, the Wall becomes a monstrous defense-mechanism structure that only goes to trap and disembody the protagonist from his self. Thus, when it came to putting this deeply personal struggle into music, Waters was obviously extremely vulnerable; bearing his heart on his sleeve. He was totalitarian over the recording process and extremely controlling. Thus, for many reasons, but mainly because of Waters’ anger, during the time of recording Comfortably Numb, Wright was at the absolute peak of his silence, not allowed a voice in the creative process let alone as a friend or a human being. And so he exiled himself from the band, refusing to speak to Waters and indeed anyone in the band. Wright’s voice was lost in the maelstrom of Roger’s hugely fragile ego. And Wright could not express himself in any way- apart from this taking himself out of the band, which is a very loud, but more passive expression of reactive anger. Wrights rage was bottled up and silenced:

"I murmured a vow of silence and now // I don't even hear when I think aloud"

Comfortably Numb itself is Roger’s perspective- it is his expression of disaffection, disembodiment, separation, and rage made impotent by the demands of having to perform constantly. It is about not having a voice, ironically, in the same way that Wright was not allowed expression. It is a song that Waters wrote after an experience where he was stricken with terrible stomach pain just before a gig, and a Doctor gave him painkillers so he could get on with the show. He used this experience between a doctor and himself as a metaphor for the similarly intense feeling of disaffection that he felt between aspects of himself, the audience and his fellow band mates. The song’s outlook of this pain, in contrast to the hindsight and remorse in Wearing the Inside Out, is one where this pain of separation and disaffection is a burden merely to be shouldered for a greater good, for the good of the audience, at the expense of Waters.

"Just a little pin prick
There'll be no more aaaaaaaah!
But you may feel a little sick
Can you stand up?
I do believe it's working, good
That'll keep you going through the show
Come on, it's time to go."

Significantly, the words “time to go” are repeated over and over again in “Bring the Boys Back Home”, the song preceding Comfortably Numb, as a relentless knocking; a Stage Manager’s call to the stage. As well as that, “The Show Must Go On” is the song directly after Comfortably Numb, further emphasising Waters’ inability to express his pain because of the pressure of being a producing artist.  Anger then forms from this bottled pressure, and anger turns to impotent rage because he must he must perform without a break. 
In both situations, anger and painful emotions are firmly kept locked inside. Being Comfortably Numb is a notion where one has to just get through it; the word Comfortable becomes tongue in cheek, because the numbness; the inability to express frustration, becomes the real pain.

This can be heard in the song itself, by switching from B minor to D major. The pure angst of being numb- the impotent rage itself- is only expressed in Gilmour’s screaming guitar solo. 
So when Gilmour, who was obviously part of this furious cold war, refers back to Comfortably Numb through his guitar, which is his way of expressing his voice in this song, Wright's narrative about finally becoming less numb, finally speaking out without fear, being heard, and being able to hear his true self, is reinforced by recalling all of the pain and lack of expression that Comfortably Numb is not only about, but brought about in its recording. The pain of Comfortably Numb is the reason that Wright had to bottle up his emotions inside in the first place, and Comfortably Numb itself perfectly describes the situation of impotent rage. Gilmour playing it in this song highlights the reasons that Wearing the Inside Out is thus a song so meaningful. The pure vulnerability of Wright speaking out for the first time is both righteous and jubilant in the fact that he is not numb anymore, but it is also a challenge towards Roger to do the same. And Gilmour, who sends out his own challenges to Roger in other songs in the album, refers back to the past with his solo in a way that highlights with deep remorse the fact that both Wright and Waters, were equally too numb and clouded by anger to reconcile with each other. Thus, the song is a hopeful, and even revolutionary song from a feeling of complete stagnation, towards a cathartic expression of fermented, painful feelings of remorse, loss and bitterness, that are all compounded by this hindsight that screams out not only in Gilmours solo, but the use of the farfisa organ that was so heavily used in Wish You Were Here. Overall, it is just a bloody great song and I love it.

Monday, 16 January 2017

Unlimited Breakfast: Chapter 1


CHAPTER 1
The city is a place of murderers, prostitutes, businessmen, pidgeons, and other birds in fruit laden foliage, hanging unpicked, eventually falling, and melting back into to the ground. This is the circle of life. And all beings here hang in the noisy nether zone somewhere between life and death. When you live here you have to accept that your death is certain, life a dying process gone grey by way of lain down tarmac. You eke out a life somewhere halfway in purgatory, shuffling along a relentless conveyer belt you until you hand in your shopping; carried away in black plastic like the bottles of some nefarious drink you use to drown out the sound of sirens past your window at night.
And once in a while everyone crosses the road, across the line, into footfallen, rubberworn alleys where no one can save you- no gods, no mothers, no father figures, no Freudian slips to lighten the mood- the random fancies of copper coins that glint devilishly on the floor scream at you to flip them.  Coins you’ve already had spent as soon as you’re dragged out screaming into the cold uncaring world, eyes wide and bloodshot, your gumless screams stifled by scratchy blankets covering your new nude body, trailing umbilical all over the shop until the doctor finally comes and decides if you’re an innie or an outie- sealed- until the fat lady at the fruit machine sings with triple bananas.
And as time goes by you have to ferment. You dodge cars, and the people who flyer for causes, surprise and double take await you past every curved corner already cut by the almighty architects of the city.  And so you’re stuck here, tall brick and concrete monoliths stand bearing down on you, keeping your eyes low, and your spirits lower until you find the dark settles down on the ground. And that’s why I come and go. My name at the time was McFlanaghan. Detective Chief Inspector McFlanaghan. Chaos and I play a fickle game, we make our moves one after the other, never winning, both playing, forever.
I was born and raised in the city by my father, my mother died before I was born. Her name was Lilah, the softness of her name hung tenderly in my memory, I only knew her from my father’s pictures. His name was Benedict. Like the eggs. And we had a saying in our tiny two-man family: don’t keep all your eggs in one basket. We loved egg based phrases, we really did. But then my father died in an omelet fire. And the firefighters were baffled as to how the fire started in the first place. I can barely remember now if the coroner decided that the cause of death was house fire or lust for breakfast. But that was my dad through and through. He loved breakfast. And he loved making it. He always made a habit of encouraging me to go out and make my own. His words still ring in my ears, tempered words that shone through the grimace borne of the gentle searing splatter of bacon grease onto his hairy arms. “Make your own damn breakfast!” he used to say, whilst waving his shiny, melted plastic spatula up and down like a wizard’s wand, shoulders twitching minutely at every tiny jumping drop of grease. And I took those words to heart. Because it turns out that breakfast isn't just the most important meal of the day, breakfast is life. He used to make an omelet every single morning for fourty-four years since he could reach the hob. He taught me to twist and push until you hear the cracking fires emerge. Twist and push and tear the knob right off to keep the flames firing the frying pan of destiny. And then crack your eggs. There were times when it seemed like he was telling me old news- ideas I already knew- but as soon as he was gone it was because I never knew his story. I never realized the struggle that gave weight behind his words. I never realized why he was telling me these things. He was full of wisdom, laughter, and breakfast.  But I never cooked my own. I could never find it within me. And then I was the one with egg on my face, some kind of yolk I could never wipe off.
So I had to find my own purpose in life. It just so happened my purpose found me first. It was chaos itself. I found my way to see through the charred, steaming hulk of our little burnt eggbasket. When our dream burnt down, I caught a glimpse into the writhing underworld of hatred. And so I remembered the ethos my father gave me before his pancakes were flipped. It was for me an ethos unexplored, where the night could set it ablaze at any moment. And so I packed my bags full of determination, hate, fear, eggs, turned them into weapons, against those who ride on the coattails of chaos. Against those who set the night ablaze. And all in all, in the deepest, darkest nights of your life Fate rides a flaming chariot through the sky, careening his reined charges through the snow that drifts so calmly in the air, and he enters your quiet life like a master cat-burglar. He delicately lays down the law of the universe right next to your sleeping face until you bolt upright and realize you’re right in the shit. I always hated Christmas. And so I am but a ghost in the footsteps of dusk, trying finding my path. I often find myself looking up, trying to see past the sodium orange lamplight that eats into my soul like moths to a stained rug. To me the sky is forever a colander; the stars pitted gaps in a bowl of black, the night seeps in.
Looking back over my shoulder at the never ending line of streetlamps, my gloved hands flipped up the collar on my modest beige duster. Then I reached into its folds, my quarry the crumpled pack of French blues. I pulled one out, lit it, and inhaled deeply. I shuddered. A cloud of smoke fell up past my head. And it was a cold evening, no doubt Emerson, my partner, would be feeling it too, back in our wheels for this whole operation. Necessity had found us an old ice cream van. We called her Laquisha. She ran like a beaut, and we’d modified her original ice cream truck siren to be piercingly loud. We careened around in her, and as long as she continued to pump out 99’s, we would continue to pump out .44s, right out of her ample side window at whatever bastard needed one. One after another, in whatever form, we served righteous brainfreeze to this tangled cerebral mess of a town. I was glad Emerson was keeping her company. I had asked him to save me a couple of flakes to stick into a mighty vanilla swirl for when I got back. I smiled to myself as I walked down this dustily lit road. I paused. Why was I here? And then I remembered.
I carried on smoking, walking, thinking through the cold. I flicked my cigarette down a side alley, watching its orange arc fly through the air until it stopped, sizzling, in small pool of blood on the floor. I jolted and swore. Mild fear rippled through my body as I thought through my next moves, a mild fear only felt on Wednesdays, a day for planning. But it was a Tuesday. Tuesdays need no planning. And I began to follow the trail along the course concrete until I laid eyes on a body. It had fallen clumsily. I swore again and closed my eyes. Poor girl. As I opened them I was numb. She had a stamp on her forehead, chaotic milky eyes looking up into the night sky. Her limbs were strewn about, her left porcelain hand clutched an open packed of custard creams, she was missing a shoe. She was clearly dressed for a night out, long flowing black dress, torn in places, and a black velvet choker cruelly highlighting the damage sustained to her neck and face. And I noticed that the packet of biscuits was left full. Not a single one taken. Her lipstick, deep red lipstick, was smudged across her cheek like scar. And she was punctuated by an obscene smattering of beige crumbs, they were scattered like fallen stardust across the flowing black fabric that covered her empty body, a delicate, obscene galaxy all the way down to her midriff. She had light brown hair, curly, but lacking volume and lustre, as if unconditioned for weeks. The light failed to bounce off, any bounce long since gone. And as I stared with dull silence echoing in my ears I noticed the finer details. Suddenly, I heard the sharp slap of feet rushing up behind me. I snapped round, drawing my '44 as fast as i could. The footsteps stopped. I squinted past my dim shadow into the fog of the city night, my barrel hovering, pointed delicately, and unknowingly in the briskness.
"…Show yourself!"
And from the deep dark at the end of the alleyway emerged a small thin man in an apron smeared with fingerstreaks of chocolate. He wore a tall white chef’s hat with a heavily mustached man giving both thumbs up, his eyes screaming happiness. He took a few steps forward, finishing the end of a waffle cone.
"It's only
me, boss!" he called as crumbs spewed from his mouth in no apparent direction.
I paused, sighed, holstered my piece and zipped up my fly.
"Goddammit Emerson. You really fucking scared me there."
His eyes were always lit with the sparkle of a man who lives life for the sheer hell of it. That’s why he was with me. I followed hell, he followed suit, depending on the formality of the occasion. He was the yin to my yang, the bread to my butter side down. And there was undoubtedly a fire in his warm soul that never went out. But as those green orbs looked past me, his smile fell, the sparkle faltered. A single drop of vanilla ice cream fell from his bottom lip and hit the ground with a wet tap.
“Its… her” he said.
“Yes.” I sighed. “I know that.” We both turned around. Emerson turned around again to look in the same direction. I understood his shock. No amount of death is ever right after a waffle cone. But the time for ice cream had been and come and passed away.